
In his latest espionage thriller Silva brings Gabriel Allon out of, retirement (not that he was really retired, a spy can never retire fully). Allon, an ongoing main character, is an art restorer and an Israeli spy, a, complex character who deserves better than this latest installment.
Reliable information points to the Saudis intending to bring down the Catholic Church - more specifically a terrorist cell is planning to assassinate the Pope. Soon thereafter the Dome of St Peter's is blackened rubble, 700 people are dead and Allon has saved the Pope's life. An attack upon Allon's mentor who is a celebrated Israeli spy-master and close member of the Israeli Prime Minster's inner circle follows in Jerusalem. Realizing this is not just another threat, but a long-standing plot Allon must find someone to infiltrate the heart of the terrorist cell, ie. where the money is originating. Here his art becomes a useful tool in his spy-craft and SILVA introduces the character of Sarah Bancroft whom I am sure we will see again soon. Allon works in tandem with the CIA (Alan Carter) to ascertain who is behind the threat and also to find the perfect mole to infiltrate the money source. Sarah is an art curator who suffered the death of her ex during 9/11 and had been refused by the CIA who now determines that she is perfect for the task.
Around her Allon organizes a team to locate the former Saudi intelligence agent responsible (Shafiq). Shafiq is well protected and secreted deep among the layers of al-Bakari's vast financial empire. Silva writes knowledgeably about the middle east, islam, catholicism, and art, most especially art. Reading as if torn from today's headlines, especially with the thwarted threat on BA, the plot is predictable and Allon a little tired. He can be- the war on terrorism is a difficult fight and Gabriel has been fighting it since he was a student in 1972 when he was recruited by Shamron to hunt the killers of the Israeli Olympic team. Fighting this war has cost him his wife, his son and also, to a certain degree, his art.
The Messenger is readable, not the best of the series, and probably too influenced by today's headlines. But then it is an espionage novel and today's bad guys are the Arabs and Saudis (at least from a US standpoint). The most intriguing part is the digestible presentation of the moral ambiguities of continuing to do business with your enemies, (oil, oil, oil). SILVA highlights the necessity to follow the money trail, wherever it may take you and not hide your head in the sand even if it threatens the status quo. SILVA seems to advocate that to truly fight terrorism as we know it today then it is necessary to recognize the inherent compromises and moral ambiguities of political and economical relationships for what they are - on both sides of the fence. As Gabriel recalls asking his mentor Shamron "Is this all justice, or vengeance? " Simpler said than answered as proven by the books' ending and also by the debates taking place on Capitol Hill and in the media.